FRANÇOISE GILOT
Venetian Gondola (1967)
Color Lithograph in five colors, edition of 100
Image: 19 ¾ x 25 5/8” Paper: 21 1/8 x 26 ¾”
Framed: 30 ½ x 36 ¼”
Edition of 100 impressions, signed and numbered on Arches, plus 5 trial proofs, and three printer’s proofs, signed and annotated, on Japanese Nacre. Printed in five colors: turquoise, yellow, warm gray, red, ultramarine blue, from five zinc plates. Published by the artist. Printed at Mourlot, Paris.
Reference: Stone Echoes catalogue raisonné (p. 62, plate 25)
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FRANÇOISE GILOT
Girl with a Crown (1967)
Color Lithograph on Arches paper, edition of 150
Image: 25 5/8 x 19 ¾” Paper: 27 3/8 x 20 7/8”
Framed: 38 ¾ x 32 ½”
Edition of 150 impressions, signed and numbered on Arches.; plus 6 trial proofs, 3 printer’s proofs, and 5 artist proofs, signed and annotated, on Arches. Printed in four colors: pale blue, emerald green, coral red, and black, from four zinc plates. Commisione by Phillip and Muriel Berman for Cedar Crest College, Allentown, Pennsylvania. Printed at Mourlot, Paris.
Reference: Stone Echoes catalogue raisonné (p. 62, plate 23)
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FRANÇOISE GILOT
The Red Bouquet (1969)
Color Lithograph in five colors, edition of 100
Image: 25 ½ x 19 5/8” Paper: 30 x 22 ¼”
Framed: 37 ¾ x 31”
Edition of 100 impressions, signed and numbered, on Arches; plus 5 color separation proofs, 3 printer’s proofs, and 10 artist’s proofs, signed and annotated, on Arches. Printed in five colors: pale yellow, light blue, red, and emerald green, from four zinc plates, and yellow ochre from a stone. Published by the artist. Printed at Mourlot Graphics, Ltd., New York. The 5 color separation proofs and 1 artist’s proof given to Ferris State College , Michigan.
Reference: Stone Echoes catalogue raisonné (p. 64, plate 30)
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FRANÇOISE GILOT
The Greek Horse (1969)
Color Lithograph in four colors, edition of 100
Image: 30 x 22” Paper: 30 x 22”
Framed: 40 ½ x 32 ¼”
Edition of 100 impressions, signed and numbered, on Arches; plus 2 trial proofs, 3 printer’s proofs, and 10 artist’s proofs, signed and annotated, on Arches. Printed in four colors: turquoise, royal blue, brick red, and saffron yellow, from four zinc plates. Published by the artist. Printed at Mourlot Graphics, Ltd., New York. Fifty impressions (11/100 to 60/100) given in 1974 to the CertainTeed Jonas Salk Foundation.
Reference: Stone Echoes catalogue raisonné (p. 63, plate 29)
FRANÇOISE GILOT
The Two Glasses (1970)
Color Lithograph on Arches paper, edition of 50
Image: 19 ¾ x 25 ¾” Paper: 23 5/8 x 30 ¼”
Framed: 30 ¾ x 36 ¼”
Edition of 50 impressions, signed and numbered, on Arches; plus 5 color separation proofs, 1 Bon a Tirer, 2 printer’s proofs, and 10 artist’s proofs (I to X), signed, numbered, and annotated on Arches. Printed in six corors: gray, turqouiose, saffron yellow, dustry rose, ultramarine blue, and saturated turquoise, from six zinc plates. Published by the artist. Printed at Mourloot, Paris. The 5 color separation proofs and 1 artist’s proof given to Cedar Crest College, Allentown, Pennsylvania.
Reference: Stone Echoes catalogue raisonné (p. 64, plate 32)
FRANÇOISE GILOT
Puck (1970)
Color Lithograph, edition of 30
Image size: 22 x 30” Paper size: 24 ½ x 32 ½”
Framed: 34 x 41 ¼”
Edition of 30 impressions, signed, numbered, and titled, on Copperplate Deluxe; plus 1 Bon a Tirer, 3 artist’s proofs (A to C), 2 Tamstone Impressions, and 1 cancellation proof, signed and annotated on Copperplate Deluxe. Published by The Tamstone Group, Inc., Los Aneles. Printed by William Law, III at The Tamstone Group, Inc., Los Angeles.
Reference: Stone Echoes catalogue raisonné (p. 65, plate 35)
FRANÇOISE GILOT
The Dream II (La Rêve II) #11/25 (1970)
Original color lithograph, edition of 25
Image size: 22 ⅜ x 30” Paper: 22 ⅜ x 30”
Framed: 33 x 40 ¾”
Edition of 25 impressions, signed, numbered, and titled, on Arches; plus 1 trial proof, 1 Bon a Tirer, 1 presentation proof, 3 artist’s proofs (A to C), and 2 Tamstone Impressions, signed and annotated, on Arches. Printed in three runs in two colors:black and red from the two zinc plates, and black from the stone used to print The Dream (see Cat. # 36). Published jointly by the artist and the Tamstone Group, Inc., Los Angeles. Printed by Serge Lozingot, master-printer at The Tamstone Group, Inc., Los Angeles.
Reference: Stone Echoes catalogue raisonné (p. 65, plate 37)
FRANÇOISE GILOT
Autumn (1971)
Color Lithograph on Arches paper, edition of 50
Image: 26 x 20” Paper: 26 x 20”
Framed: 35 x 29 ¼”
Edition of 50 impressions, signed & numbered, on Arches; plus 6 trial (work) proofs (I to VI, 5 printer’s proofs, and 10 artist’s proofs (A to J), signed and annotated on Arches. Printed in five colors: ochre, blue, red, dark gray, and green, from five zinc plates. Published by the artist. Printed at Mourlot, Paris.
Reference: Stone Echoes catalogue raisonné (p. 68, plate 50)
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FRANÇOISE GILOT
Paloma in Satin (1971)
Color Lithograph, edition of 50
Image: 25 5/8 x 19 ¾” Paper: 25 5/8 x 19 ¾”
Framed: 36 x 30 ¾”
Edition of 50 impressions, signed and numbered, with 20 impressions on Japanese Nacre and 30 impressions in Arches; plus 10 artist’s proofs (A to J), signed and annotated on Japanese Nacre; and 5 trial proofs and 5 printer’s proofs, signed and annotated, on Arches. Printed in two colors: light brown and black from two zinc plates. Published by the artist. Printed at Mourlot, Paris.
Reference: Stone Echoes catalogue raisonné (p. 68, plate 48)
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FRANÇOISE GILOT
Freedom (1971)
Lithograph in Black, edition of 25
Image: 30 ¼ x 22 ¼” Paper: 30 ¼ x 22 ¼”
Framed: 40 x 31 ¾”
Edition of 25 impressions, signed and numbered, with 5 impressions (1/25 to 5/25) on Japanese Nacre and 20 impressions (6/25 to 25/25) on Rives (with Tamstone watermark); plus 3 trial proofs (1 to 3), 1 Bon a Tirer, 3 artist proofs (A to C), and 2 Tamstone Impressions, signed and annotated on Rives (with Tamstone Watermark). Published by the artist. Printed by William Law, III at the Tamstone Group Inc., Los Angeles.
Reference: Stone Echoes catalogue raisonné (p. 67, plate 46)
FRANÇOISE GILOT
In the Trees II Dans l’arbre II (1971) #24/25
Original color lithograph in two colors – edition of 25
Image: 29 ¾ x 22 ½” Paper: 29 ¾ x 22 ½”
Framed: 40 x 32”
Edition of 25 impressions, signed and numbered, with 5 impressions (1 to 5) on Japanese Nacre and 20 impressions (6 to 25) on Rives (with Tamstone watermark); plus 1 trial proof, 1 color trial proof, 1 Bon a Tirer, 1 Tamstone Impression, and 2 artist’s proofs (B, C), signed and annotated, on Rives (with Tamstone watermark); and 1 artist’s proof (A), signed and annotated, on Japanese Nacre. In addition, 1 separation run, unsigned, on cover stock. Printed in two colors: ochre and purple from the stwo stones used to print In the Tree (see Cat. #44).Printed by William Law III at The Tamstone Group, Inc., Los Angeles.
Reference: Stone Echoes catalogue raisonné (p. 67, plate 45)
FRANÇOISE GILOT
My Children in Brittany mes Enfants en Bretagne (1974) - #49/150
Original lithograph in six colors – edition of 50
Image: 26 x 19 ¾” Paper: 30 x 22”
Framed: 37 ¾ x 30 ¾”
Edition of 150 impressions, signed and numbered, with 10 impressions on Japanese silk rag (with slightly narrower margins) and 140 impressions on Arches; plus 3 trial proofs, 4 printer’s proofs, and 10 artist’s proofs (A to J with 1 impression on Japanese silk rag), signed and annotated, on Arches. Printed in six colors: beige, red, lilac, ochre, green and turquoise, from six zinc plates. Commissioned by Philip and Muriel Berman for Hadassah.
Printed at Mourlot, Paris.
Ref: Stone Echoes catalogue raisonné, P. 72, plate 57
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